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Lens and mounting of a large-format camera
|Other names||Science or Art of creating durable images|
|Types||Recording light or other electromagnetic radiation|
|Inventor||Thomas Wedgwood (1800)|
|Related||Stereoscopic, Full-spectrum, Light field, Electrophotography, Photograms, Scanner|
Photography is the science, art, application and practice of creating durable images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film.
Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive depending on the purpose of the photographic material and the method of processing. A negative image on film is traditionally used to photographically create a positive image on a paper base, known as a print, either by using an enlarger or by contact printing.
Photography is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.
The word "photography" was created from the Greek roots φωτός (phōtos), genitive of φῶς (phōs), "light" and γραφή (graphé) "representation by means of lines" or "drawing", together meaning "drawing with light".
Several people may have coined the same new term from these roots independently. Hercules Florence, a French painter and inventor living in Campinas, Brazil, used the French form of the word, photographie, in private notes which a Brazilian historian believes were written in 1834. This claim is widely reported but apparently has never been independently confirmed as beyond reasonable doubt.
The German newspaper Vossische Zeitung of 25 February 1839 contained an article entitled Photographie, discussing several priority claims - especially Henry Fox Talbot's - regarding Daguerre's claim of invention. The article is the earliest known occurrence of the word in public print. It was signed "J.M.", believed to have been Berlin astronomer Johann von Maedler.
Credit has traditionally been given to Sir John Herschel both for coining the word and for introducing it to the public. His uses of it in private correspondence prior to 25 February 1839 and at his Royal Society lecture on the subject in London on 14 March 1839 have long been amply documented and accepted as settled facts.
The inventors Nicéphore Niépce, Henry Fox Talbot and Louis Daguerre seem not to have known or used the word "photography", but referred to their processes as "Heliography" (Niépce), "Photogenic Drawing"/"Talbotype"/"Calotype" (Talbot) and "Daguerreotype" (Daguerre).
Photography is the result of combining several technical discoveries. Long before the first photographs were made, ancient Han Chinese philosopher Mo Di from the Mohist School of Logic was the first to discover and develop the scientific principles of optics, camera obscura, and pinhole camera. Later Greek mathematicians Aristotle and Euclid also independently described a pinhole camera in the 5th and 4th centuries BCE. In the 6th century CE, Byzantine mathematician Anthemius of Tralles used a type of camera obscura in his experiments. Both the Han Chinese polymath Shen Kuo (1031–95) and Arab physicist Ibn al-Haytham (Alhazen) (965–1040) independently invented the camera obscura and pinhole camera, Albertus Magnus (1193–1280) discovered silver nitrate, and Georg Fabricius (1516–71) discovered silver chloride. Shen Kuo explains the science of camera obscura and optical physics in his scientific work Dream Pool Essays while the techniques described in Ibn al-Haytham's Book of Optics are capable of producing primitive photographs using medieval materials.
Daniele Barbaro described a diaphragm in 1566. Wilhelm Homberg described how light darkened some chemicals (photochemical effect) in 1694. The fiction book Giphantie, published in 1760, by French author Tiphaigne de la Roche, described what can be interpreted as photography.
The discovery of the camera obscura that provides an image of a scene dates back to ancient China. Leonardo da Vinci mentions natural camera obscura that are formed by dark caves on the edge of a sunlit valley. A hole in the cave wall will act as a pinhole camera and project a laterally reversed, upside down image on a piece of paper. So the birth of photography was primarily concerned with inventing means to capture and keep the image produced by the camera obscura.
Renaissance painters used the camera obscura which, in fact, gives the optical rendering in color that dominates Western Art. The camera obscura literally means "dark chamber" in Latin. It is a box with a hole in it which allows light to go through and create an image onto the piece of paper.
Around the year 1800, British inventor Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance. He used paper or white leather treated with silver nitrate. Although he succeeded in capturing the shadows of objects placed on the surface in direct sunlight, and even made shadow copies of paintings on glass, it was reported in 1802 that "the images formed by means of a camera obscura have been found too faint to produce, in any moderate time, an effect upon the nitrate of silver." The shadow images eventually darkened all over.
The first permanent photoetching was an image produced in 1822 by the French inventor Nicéphore Niépce, but it was destroyed in a later attempt to make prints from it. Niépce was successful again in 1825. In 1826 or 1827, he made the View from the Window at Le Gras, the earliest surviving photograph from nature (i.e., of the image of a real-world scene, as formed in a camera obscura by a lens).
Because Niépce's camera photographs required an extremely long exposure (at least eight hours and probably several days), he sought to greatly improve his bitumen process or replace it with one that was more practical. In partnership with Louis Daguerre, he worked out post-exposure processing methods that produced visually superior results and replaced the bitumen with a more light-sensitive resin, but hours of exposure in the camera were still required. With an eye to eventual commercial exploitation, the partners opted for total secrecy.
Niépce died in 1833 and Daguerre then redirected the experiments toward the light-sensitive silver halides, which Niépce had abandoned many years earlier because of his inability to make the images he captured with them light-fast and permanent. Daguerre's efforts culminated in what would later be named the daguerreotype process. The essential elements-a silver-plated surface sensitized by iodine vapor, developed by mercury vapor, and "fixed" with hot saturated salt water-were in place in 1837. The required exposure time was measured in minutes instead of hours. Daguerre took the earliest confirmed photograph of a person in 1838 while capturing a view of a Paris street: unlike the other pedestrian and horse-drawn traffic on the busy boulevard, which appears deserted, one man having his boots polished stood sufficiently still throughout the several-minutes-long exposure to be visible. The existence of Daguerre's process was publicly announced, without details, on 7 January 1839. The news created an international sensation. France soon agreed to pay Daguerre a pension in exchange for the right to present his invention to the world as the gift of France, which occurred when complete working instructions were unveiled on 19 August 1839. In that same year, American photographer Robert Cornelius is credited with taking the earliest surviving photographic self-portrait.
In Brazil, Hercules Florence had apparently started working out a silver-salt-based paper process in 1832, later naming it Photographie.
Meanwhile, a British inventor, William Fox Talbot, had succeeded in making crude but reasonably light-fast silver images on paper as early as 1834 but had kept his work secret. After reading about Daguerre's invention in January 1839, Talbot published his hitherto secret method and set about improving on it. At first, like other pre-daguerreotype processes, Talbot's paper-based photography typically required hours-long exposures in the camera, but in 1840 he created the calotype process, which used the chemical development of a latent image to greatly reduce the exposure needed and compete with the daguerreotype. In both its original and calotype forms, Talbot's process, unlike Daguerre's, created a translucent negative which could be used to print multiple positive copies; this is the basis of most modern chemical photography up to the present day, as Daguerreotypes could only be replicated by rephotographing them with a camera. Talbot's famous tiny paper negative of the Oriel window in Lacock Abbey, one of a number of camera photographs he made in the summer of 1835, may be the oldest camera negative in existence.
British chemist John Herschel made many contributions to the new field. He invented the cyanotype process, later familiar as the "blueprint". He was the first to use the terms "photography", "negative" and "positive". He had discovered in 1819 that sodium thiosulphate was a solvent of silver halides, and in 1839 he informed Talbot (and, indirectly, Daguerre) that it could be used to "fix" silver-halide-based photographs and make them completely light-fast. He made the first glass negative in late 1839.
In the March 1851 issue of The Chemist, Frederick Scott Archer published his wet plate collodion process. It became the most widely used photographic medium until the gelatin dry plate, introduced in the 1870s, eventually replaced it. There are three subsets to the collodion process; the Ambrotype (a positive image on glass), the Ferrotype or Tintype (a positive image on metal) and the glass negative, which was used to make positive prints on albumen or salted paper.
Many advances in photographic glass plates and printing were made during the rest of the 19th century. In 1891, Gabriel Lippmann introduced a process for making natural-color photographs based on the optical phenomenon of the interference of light waves. His scientifically elegant and important but ultimately impractical invention earned him the Nobel Prize in Physics in 1908.
Glass plates were the medium for most original camera photography from the late 1850s until the general introduction of flexible plastic films during the 1890s. Although the convenience of the film greatly popularized amateur photography, early films were somewhat more expensive and of markedly lower optical quality than their glass plate equivalents, and until the late 1910s they were not available in the large formats preferred by most professional photographers, so the new medium did not immediately or completely replace the old. Because of the superior dimensional stability of glass, the use of plates for some scientific applications, such as astrophotography, continued into the 1990s, and in the niche field of laser holography, it has persisted into the 2010s.
Hurter and Driffield began pioneering work on the light sensitivity of photographic emulsions in 1876. Their work enabled the first quantitative measure of film speed to be devised.
The first flexible photographic roll film was marketed by George Eastman in 1885, but this original "film" was actually a coating on a paper base. As part of the processing, the image-bearing layer was stripped from the paper and transferred to a hardened gelatin support. The first transparent plastic roll film followed in 1889. It was made from highly flammable nitrocellulose ("celluloid"), now usually called "nitrate film".
Although cellulose acetate or "safety film" had been introduced by Kodak in 1908, at first it found only a few special applications as an alternative to the hazardous nitrate film, which had the advantages of being considerably tougher, slightly more transparent, and cheaper. The changeover was not completed for X-ray films until 1933, and although safety film was always used for 16 mm and 8 mm home movies, nitrate film remained standard for theatrical 35 mm motion pictures until it was finally discontinued in 1951.
Films remained the dominant form of photography until the early 21st century when advances in digital photography drew consumers to digital formats. Although modern photography is dominated by digital users, film continues to be used by enthusiasts and professional photographers. The distinctive "look" of film based photographs compared to digital images is likely due to a combination of factors, including: (1) differences in spectral and tonal sensitivity (S-shaped density-to-exposure (H&D curve) with film vs. linear response curve for digital CCD sensors) (2) resolution and (3) continuity of tone.
Originally, all photography was monochrome, or black-and-white. Even after color film was readily available, black-and-white photography continued to dominate for decades, due to its lower cost and its "classic" photographic look. The tones and contrast between light and dark areas define black-and-white photography. It is important to note that monochromatic pictures are not necessarily composed of pure blacks, whites, and intermediate shades of gray but can involve shades of one particular hue depending on the process. The cyanotype process, for example, produces an image composed of blue tones. The albumen print process first used more than 170 years ago, produces brownish tones.
Many photographers continue to produce some monochrome images, sometimes because of the established archival permanence of well-processed silver-halide-based materials. Some full-color digital images are processed using a variety of techniques to create black-and-white results, and some manufacturers produce digital cameras that exclusively shoot monochrome. Monochrome printing or electronic display can be used to salvage certain photographs taken in color which are unsatisfactory in their original form; sometimes when presented as black-and-white or single-color-toned images they are found to be more effective. Although color photography has long predominated, monochrome images are still produced, mostly for artistic reasons. Almost all digital cameras have an option to shoot in monochrome, and almost all image editing software can combine or selectively discard RGB color channels to produce a monochrome image from one shot in color.
Color photography was explored beginning in the 1840s. Early experiments in color required extremely long exposures (hours or days for camera images) and could not "fix" the photograph to prevent the color from quickly fading when exposed to white light.
The first permanent color photograph was taken in 1861 using the three-color-separation principle first published by Scottish physicist James Clerk Maxwell in 1855. The foundation of virtually all practical color processes, Maxwell's idea was to take three separate black-and-white photographs through red, green and blue filters. This provides the photographer with the three basic channels required to recreate a color image. Transparent prints of the images could be projected through similar color filters and superimposed on the projection screen, an additive method of color reproduction. A color print on paper could be produced by superimposing carbon prints of the three images made in their complementary colors, a subtractive method of color reproduction pioneered by Louis Ducos du Hauron in the late 1860s.
Russian photographer Sergei Mikhailovich Prokudin-Gorskii made extensive use of this color separation technique, employing a special camera which successively exposed the three color-filtered images on different parts of an oblong plate. Because his exposures were not simultaneous, unsteady subjects exhibited color "fringes" or, if rapidly moving through the scene, appeared as brightly colored ghosts in the resulting projected or printed images.
Implementation of color photography was hindered by the limited sensitivity of early photographic materials, which were mostly sensitive to blue, only slightly sensitive to green, and virtually insensitive to red. The discovery of dye sensitization by photochemist Hermann Vogel in 1873 suddenly made it possible to add sensitivity to green, yellow and even red. Improved color sensitizers and ongoing improvements in the overall sensitivity of emulsions steadily reduced the once-prohibitive long exposure times required for color, bringing it ever closer to commercial viability.
Autochrome, the first commercially successful color process, was introduced by the Lumière brothers in 1907. Autochrome plates incorporated a mosaic color filter layer made of dyed grains of potato starch, which allowed the three color components to be recorded as adjacent microscopic image fragments. After an Autochrome plate was reversal processed to produce a positive transparency, the starch grains served to illuminate each fragment with the correct color and the tiny colored points blended together in the eye, synthesizing the color of the subject by the additive method. Autochrome plates were one of several varieties of additive color screen plates and films marketed between the 1890s and the 1950s.
Kodachrome, the first modern "integral tripack" (or "monopack") color film, was introduced by Kodak in 1935. It captured the three color components in a multi-layer emulsion. One layer was sensitized to record the red-dominated part of the spectrum, another layer recorded only the green part and a third recorded only the blue. Without special film processing, the result would simply be three superimposed black-and-white images, but complementary cyan, magenta, and yellow dye images were created in those layers by adding color couplers during a complex processing procedure.
Agfa's similarly structured Agfacolor Neu was introduced in 1936. Unlike Kodachrome, the color couplers in Agfacolor Neu were incorporated into the emulsion layers during manufacture, which greatly simplified the processing. Currently, available color films still employ a multi-layer emulsion and the same principles, most closely resembling Agfa's product.
Instant color film, used in a special camera which yielded a unique finished color print only a minute or two after the exposure, was introduced by Polaroid in 1963.
Color photography may form images as positive transparencies, which can be used in a slide projector, or as color negatives intended for use in creating positive color enlargements on specially coated paper. The latter is now the most common form of film (non-digital) color photography owing to the introduction of automated photo printing equipment. After a transition period centered around 1995–2005, color film was relegated to a niche market by inexpensive multi-megapixel digital cameras. Film continues to be the preference of some photographers because of its distinctive "look".
In 1981, Sony unveiled the first consumer camera to use a charge-coupled device for imaging, eliminating the need for film: the Sony Mavica. While the Mavica saved images to disk, the images were displayed on television, and the camera was not fully digital. In 1991, Kodak unveiled the DCS 100, the first commercially available digital single lens reflex camera. Although its high cost precluded uses other than photojournalism and professional photography, commercial digital photography was born.
Digital imaging uses an electronic image sensor to record the image as a set of electronic data rather than as chemical changes on film. An important difference between digital and chemical photography is that chemical photography resists photo manipulation because it involves film and photographic paper, while digital imaging is a highly manipulative medium. This difference allows for a degree of image post-processing that is comparatively difficult in film-based photography and permits different communicative potentials and applications.
Digital photography dominates the 21st century. More than 99% of photographs taken around the world are through digital cameras, increasingly through smartphones.
Synthesis photography is part of computer-generated imagery (CGI) where the shooting process is modeled on real photography. The CGI, creating digital copies of real universe, requires a visual representation process of these universes. Synthesis photography is the application of analog and digital photography in digital space. With the characteristics of the real photography but not being constrained by the physical limits of real world, synthesis photography allows artists to move into areas beyond the grasp of real photography.
A large variety of photographic techniques and media are used in the process of capturing images for photography. These include the camera; stereoscopy; dualphotography; full-spectrum, ultraviolet and infrared media; light field photography; and other imaging techniques.
The camera is the image-forming device, and a photographic plate, photographic film or a silicon electronic image sensor is the capture medium. The respective recording medium can be the plate or film itself, or a digital magnetic or electronic memory.
Photographers control the camera and lens to "expose" the light recording material to the required amount of light to form a "latent image" (on plate or film) or RAW file (in digital cameras) which, after appropriate processing, is converted to a usable image. Digital cameras use an electronic image sensor based on light-sensitive electronics such as charge-coupled device (CCD) or complementary metal-oxide-semiconductor (CMOS) technology. The resulting digital image is stored electronically, but can be reproduced on a paper.
The camera (or 'camera obscura') is a dark room or chamber from which, as far as possible, all light is excluded except the light that forms the image. It was discovered and used in the 16th century by painters. The subject being photographed, however, must be illuminated. Cameras can range from small to very large, a whole room that is kept dark while the object to be photographed is in another room where it is properly illuminated. This was common for reproduction photography of flat copy when large film negatives were used (see Process camera).
As soon as photographic materials became "fast" (sensitive) enough for taking candid or surreptitious pictures, small "detective" cameras were made, some actually disguised as a book or handbag or pocket watch (the Ticka camera) or even worn hidden behind an Ascot necktie with a tie pin that was really the lens.
The movie camera is a type of photographic camera which takes a rapid sequence of photographs on recording medium. In contrast to a still camera, which captures a single snapshot at a time, the movie camera takes a series of images, each called a "frame". This is accomplished through an intermittent mechanism. The frames are later played back in a movie projector at a specific speed, called the "frame rate" (number of frames per second). While viewing, a person's eyes and brain merge the separate pictures together to create the illusion of motion.
Photographs, both monochrome and color, can be captured and displayed through two side-by-side images that emulate human stereoscopic vision. Stereoscopic photography was the first that captured figures in motion. While known colloquially as "3-D" photography, the more accurate term is stereoscopy. Such cameras have long been realized by using film and more recently in digital electronic methods (including cell phone cameras).
Dualphotography consists of photographing a scene from both sides of a photographic device at once (e.g. camera for back-to-back dualphotography, or two networked cameras for portal-plane dualphotography). The dualphoto apparatus can be used to simultaneously capture both the subject and the photographer, or both sides of a geographical place at once, thus adding a supplementary narrative layer to that of a single image.
Ultraviolet and infrared films have been available for many decades and employed in a variety of photographic avenues since the 1960s. New technological trends in digital photography have opened a new direction in full spectrum photography, where careful filtering choices across the ultraviolet, visible and infrared lead to new artistic visions.
Modified digital cameras can detect some ultraviolet, all of the visible and much of the near infrared spectrum, as most digital imaging sensors are sensitive from about 350 nm to 1000 nm. An off-the-shelf digital camera contains an infrared hot mirror filter that blocks most of the infrared and a bit of the ultraviolet that would otherwise be detected by the sensor, narrowing the accepted range from about 400 nm to 700 nm.
Replacing a hot mirror or infrared blocking filter with an infrared pass or a wide spectrally transmitting filter allows the camera to detect the wider spectrum light at greater sensitivity. Without the hot-mirror, the red, green and blue (or cyan, yellow and magenta) colored micro-filters placed over the sensor elements pass varying amounts of ultraviolet (blue window) and infrared (primarily red and somewhat lesser the green and blue micro-filters).
Uses of full spectrum photography are for fine art photography, geology, forensics and law enforcement.
Digital methods of image capture and display processing have enabled the new technology of "light field photography" (also known as synthetic aperture photography). This process allows focusing at various depths of field to be selected after the photograph has been captured. As explained by Michael Faraday in 1846, the "light field" is understood as 5-dimensional, with each point in 3-D space having attributes of two more angles that define the direction of each ray passing through that point.
These additional vector attributes can be captured optically through the use of microlenses at each pixel point within the 2-dimensional image sensor. Every pixel of the final image is actually a selection from each sub-array located under each microlens, as identified by a post-image capture focus algorithm.
Besides the camera, other methods of forming images with light are available. For instance, a photocopy or xerography machine forms permanent images but uses the transfer of static electrical charges rather than photographic medium, hence the term electrophotography. Photograms are images produced by the shadows of objects cast on the photographic paper, without the use of a camera. Objects can also be placed directly on the glass of an image scanner to produce digital pictures.
An amateur photographer is one who practices photography as a hobby/passion and not necessarily for profit. The quality of some amateur work is comparable to that of many professionals and may be highly specialized or eclectic in choice of subjects. Amateur photography is often pre-eminent in photographic subjects which have little prospect of commercial use or reward. Amateur photography grew during the late 19th century due to the popularization of the hand-held camera. Nowadays it has spread widely through social media and is carried out throughout different platforms and equipment, switching to the use of cell phone as a key tool for making photography more accessible to everyone.
Commercial photography is probably best defined as any photography for which the photographer is paid for images rather than works of art. In this light, money could be paid for the subject of the photograph or the photograph itself. Wholesale, retail, and professional uses of photography would fall under this definition. The commercial photographic world could include:
The market for photographic services demonstrates the aphorism "A picture is worth a thousand words", which has an interesting basis in the . Magazines and newspapers, companies putting up Web sites, advertising agencies and other groups pay for photography.
Many people take photographs for commercial purposes. Organizations with a budget and a need for photography have several options: they can employ a photographer directly, organize a public competition, or obtain rights to stock photographs. Photo stock can be procured through traditional stock giants, such as Getty Images or Corbis; smaller microstock agencies, such as Fotolia; or web marketplaces, such as Cutcaster.
During the 20th century, both fine art photography and documentary photography became accepted by the English-speaking art world and the gallery system. In the United States, a handful of photographers, including Alfred Stieglitz, Edward Steichen, John Szarkowski, F. Holland Day, and Edward Weston, spent their lives advocating for photography as a fine art. At first, fine art photographers tried to imitate painting styles. This movement is called Pictorialism, often using soft focus for a dreamy, 'romantic' look. In reaction to that, Weston, Ansel Adams, and others formed the Group f/64 to advocate 'straight photography', the photograph as a (sharply focused) thing in itself and not an imitation of something else.
The aesthetics of photography is a matter that continues to be discussed regularly, especially in artistic circles. Many artists argued that photography was the mechanical reproduction of an image. If photography is authentically art, then photography in the context of art would need redefinition, such as determining what component of a photograph makes it beautiful to the viewer. The controversy began with the earliest images "written with light"; Nicéphore Niépce, Louis Daguerre, and others among the very earliest photographers were met with acclaim, but some questioned if their work met the definitions and purposes of art.
Clive Bell in his classic essay Art states that only "significant form" can distinguish art from what is not art.
There must be some one quality without which a work of art cannot exist; possessing which, in the least degree, no work is altogether worthless. What is this quality? What quality is shared by all objects that provoke our aesthetic emotions? What quality is common to Sta. Sophia and the windows at Chartres, Mexican sculpture, a Persian bowl, Chinese carpets, Giotto's frescoes at Padua, and the masterpieces of Poussin, Piero della Francesca, and Cezanne? Only one answer seems possible - significant form. In each, lines and colors combined in a particular way, certain forms and relations of forms, stir our aesthetic emotions.
On 7 February 2007, Sotheby's London sold the 2001 photograph 99 Cent II Diptychon for an unprecedented $3,346,456 to an anonymous bidder, making it the most expensive at the time.
Conceptual photography turns a concept or idea into a photograph. Even though what is depicted in the photographs are real objects, the subject is strictly abstract.
Photojournalism is a particular form of photography (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (e.g., documentary photography, social documentary photography, street photography or celebrity photography) by complying with a rigid ethical framework which demands that the work be both honest and impartial whilst telling the story in strictly journalistic terms. Photojournalists create pictures that contribute to the news media, and help communities connect with one other. Photojournalists must be well informed and knowledgeable about events happening right outside their door. They deliver news in a creative format that is not only informative, but also entertaining.
The camera has a long and distinguished history as a means of recording scientific phenomena from the first use by Daguerre and Fox-Talbot, such as astronomical events (eclipses for example), small creatures and plants when the camera was attached to the eyepiece of microscopes (in photomicroscopy) and for macro photography of larger specimens. The camera also proved useful in recording crime scenes and the scenes of accidents, such as the Wootton bridge collapse in 1861. The methods used in analysing photographs for use in legal cases are collectively known as forensic photography. Crime scene photos are taken from three vantage point. The vantage points are overview, mid-range, and close-up.
In 1845 Francis Ronalds, the Honorary Director of the Kew Observatory, invented the first successful camera to make continuous recordings of meteorological and geomagnetic parameters. Different machines produced 12- or 24- hour photographic traces of the minute-by-minute variations of atmospheric pressure, temperature, humidity, atmospheric electricity, and the three components of geomagnetic forces. The cameras were supplied to numerous observatories around the world and some remained in use until well into the 20th century. Charles Brooke a little later developed similar instruments for the Greenwich Observatory.
Science uses image technology that has derived from the design of the Pin Hole camera. X-Ray machines are similar in design to Pin Hole cameras with high-grade filters and laser radiation. Photography has become ubiquitous in recording events and data in science and engineering, and at crime scenes or accident scenes. The method has been much extended by using other wavelengths, such as infrared photography and ultraviolet photography, as well as spectroscopy. Those methods were first used in the Victorian era and improved much further since that time.
The first photographed atom was discovered in 2012 by physicists at Griffith University, Australia. They used an electric field to trap an "Ion" of the element, Ytterbium. The image was recorded on a CCD, an electronic photographic film.
There are many ongoing questions about different aspects of photography. In her writing "On Photography" (1977), Susan Sontag discusses concerns about the objectivity of photography. This is a highly debated subject within the photographic community. Sontag argues, "To photograph is to appropriate the thing photographed. It means putting one's self into a certain relation to the world that feels like knowledge, and therefore like power." Photographers decide what to take a photo of, what elements to exclude and what angle to frame the photo, and these factors may reflect a particular socio-historical context. Along these lines, it can be argued that photography is a subjective form of representation.
Modern photography has raised a number of concerns on its effect on society. In Alfred Hitchcock's Rear Window (1954), the camera is presented as promoting voyeurism. 'Although the camera is an observation station, the act of photographing is more than passive observing'.
The camera doesn't rape or even possess, though it may presume, intrude, trespass, distort, exploit, and, at the farthest reach of metaphor, assassinate – all activities that, unlike the sexual push and shove, can be conducted from a distance, and with some detachment.
Digital imaging has raised ethical concerns because of the ease of manipulating digital photographs in post-processing. Many photojournalists have declared they will not crop their pictures or are forbidden from combining elements of multiple photos to make "photomontages", passing them as "real" photographs. Today's technology has made image editing relatively simple for even the novice photographer. However, recent changes of in-camera processing allow digital fingerprinting of photos to detect tampering for purposes of forensic photography.
Photography is one of the new media forms that changes perception and changes the structure of society. Further unease has been caused around cameras in regards to desensitization. Fears that disturbing or explicit images are widely accessible to children and society at large have been raised. Particularly, photos of war and pornography are causing a stir. Sontag is concerned that "to photograph is to turn people into objects that can be symbolically possessed." Desensitization discussion goes hand in hand with debates about censored images. Sontag writes of her concern that the ability to censor pictures means the photographer has the ability to construct reality.
One of the practices through which photography constitutes society is tourism. Tourism and photography combine to create a "tourist gaze" in which local inhabitants are positioned and defined by the camera lens. However, it has also been argued that there exists a "reverse gaze" through which indigenous photographees can position the tourist photographer as a shallow consumer of images.
Additionally, photography has been the topic of many songs in popular culture.
Photography is both restricted as well as protected by the law in many jurisdictions. Protection of photographs is typically achieved through the granting of copyright or moral rights to the photographer. In the United States, photography is protected as a First Amendment right and anyone is free to photograph anything seen in public spaces as long as it is in plain view. In the UK a recent law (Counter-Terrorism Act 2008) increases the power of the police to prevent people, even press photographers, from taking pictures in public places.
from Helmut Gernsheim's article, "The 150th Anniversary of Photography," in History of Photography, Vol. I, No. 1, January 1977: ...In 1822, Niépce coated a glass plate... The sunlight passing through... This first permanent example... was destroyed... some years later.
|Initial release||May 27, 2003; 14 years ago (2003-05-27)|
4.9.5 / 2018-04-03[±]
|Operating system||Unix-like, Windows|
|Type||Blog software, Content Management System, Content Management Framework|
WordPress is a free and open-source content management system (CMS) based on PHP and MySQL. To function, WordPress has to be installed on a web server, which would either be part of an Internet hosting service or a network host in its own right. An example of the first scenario may be a service like WordPress.com, and the second case could be a computer running the software package WordPress.org. A local computer may be used for single-user testing and learning purposes. Features include a plugin architecture and a template system. WordPress was used by more than 29.4% of the top 10 million websites as of January 2018[update].WordPress is reportedly the most popular website management or blogging system in use on the Web, supporting more than 60 million websites. WordPress has also been used for other application domains such as pervasive display systems (PDS).
WordPress was released on May 27, 2003, by its founders, Matt Mullenweg and Mike Little, as a fork of b2/cafelog. WordPress is released under the GPLv2 (or later) license.
WordPress has a web template system using a template processor. Its architecture is a front controller, routing all requests for non-static URIs to a single PHP file which parses the URI and identifies the target page. This allows support for more human-readable permalinks.
WordPress users may install and switch among different themes. Themes allow users to change the look and functionality of a WordPress website without altering the core code or site content. Every WordPress website requires at least one theme to be present and every theme should be designed using WordPress standards with structured PHP, valid HTML (HyperText Markup Language), and Cascading Style Sheets (CSS). Themes may be directly installed using the WordPress "Appearance" administration tool in the dashboard, or theme folders may be copied directly into the themes directory, for example via FTP. The PHP, HTML and CSS found in themes can be directly modified to alter theme behavior, or a theme can be a "child" theme which inherits settings from another theme and selectively overrides features. WordPress themes are generally classified into two categories: free and premium. Many free themes are listed in the WordPress theme directory, and premium themes are available for purchase from marketplaces and individual WordPress developers. WordPress users may also create and develop their own custom themes. The free theme Underscores created by the WordPress developers has become a popular basis for new themes.
WordPress' plugin architecture allows users to extend the features and functionality of a website or blog. WordPress has over 50,316 plugins available, each of which offers custom functions and features enabling users to tailor their sites to their specific needs. These customizations range from search engine optimization, to client portals used to display private information to logged in users, to content management systems, to content displaying features, such as the addition of widgets and navigation bars. Not all available plugins are always abreast with the upgrades and as a result they may not function properly or may not function at all. Most plugins are available through WordPress themselves, either via downloading them and installing the files manually via FTP or through the WordPress dashboard. However, many third parties offer plugins through their own websites, many of which are paid packages.
Native applications exist for WebOS, Android, iOS (iPhone, iPod Touch, iPad), Windows Phone, and BlackBerry. These applications, designed by Automattic, have options such as adding new blog posts and pages, commenting, moderating comments, replying to comments in addition to the ability to view the stats.
WordPress also features integrated link management; a search engine–friendly, clean permalink structure; the ability to assign multiple categories to posts; and support for tagging of posts. Automatic filters are also included, providing standardized formatting and styling of text in posts (for example, converting regular quotes to smart quotes). WordPress also supports the Trackback and Pingback standards for displaying links to other sites that have themselves linked to a post or an article. WordPress posts can be edited in HTML, using the visual editor, or using one of a number of plugins that allow for a variety of customized editing features.
Prior to version 3, WordPress supported one blog per installation, although multiple concurrent copies may be run from different directories if configured to use separate database tables. WordPress Multisites (previously referred to as WordPress Multi-User, WordPress MU, or WPMU) was a fork of WordPress created to allow multiple blogs to exist within one installation but is able to be administered by a centralized maintainer. WordPress MU makes it possible for those with websites to host their own blogging communities, as well as control and moderate all the blogs from a single dashboard. WordPress MS adds eight new data tables for each blog.
As of the release of WordPress 3, WordPress MU has merged with WordPress.
b2/cafelog, more commonly known as b2 or cafelog, was the precursor to WordPress. b2/cafelog was estimated to have been installed on approximately 2,000 blogs as of May 2003. It was written in PHP for use with MySQL by Michel Valdrighi, who is now a contributing developer to WordPress. Although WordPress is the official successor, another project, b2evolution, is also in active development.
WordPress first appeared in 2003 as a joint effort between Matt Mullenweg and Mike Little to create a fork of b2. Christine Selleck Tremoulet, a friend of Mullenweg, suggested the name WordPress.
In 2004 the licensing terms for the competing Movable Type package were changed by Six Apart, resulting in many of its most influential users migrating to WordPress. By October 2009 the Open Source CMS MarketShare Report concluded that WordPress enjoyed the greatest brand strength of any open-source content management system.
As of February 2017, WordPress is used by 58.7% of all the websites whose content management system is known. This is 27.5% of the top 10 million websites.
Winner of Infoworld's “Best of open source software awards: Collaboration”, awarded in 2008.
Winner of Open Source CMS Awards's “Overall Best Open Source CMS", awarded in 2009.
Winner of digitalsynergy's “Hall of Fame CMS category in the 2010 Open Source”, awarded in 2010.
Winner of Infoworld's “Bossie award for Best Open Source Software”, awarded in 2011.
Winner of CMS Critic Award's “Best CMS for Personal Websites", awarded in 2015.
Main releases of WordPress are codenamed after well-known jazz musicians, starting after version 1.0.
|Legend:||Old version||Older version, still supported||Current stable version||Latest preview version||Future release|
|Version||Code name||Release date||Notes|
|Old version, no longer supported: 0.7||none||May 27, 2003||Used the same file structure as its predecessor, b2/cafelog, and continued the numbering from its last release, 0.6. Only 0.71-gold is available for download in the official WordPress Release Archive page.|
|Old version, no longer supported: 1.0||Davis||January 3, 2004||Added search engine friendly permalinks, multiple categories, dead simple installation and upgrade, comment moderation, XFN support, Atom support.|
|Old version, no longer supported: 1.2||Mingus||May 22, 2004||Added support of Plugins; which same identification headers are used unchanged in WordPress releases as of 2011[update].|
|Old version, no longer supported: 1.5||Strayhorn||February 17, 2005||Added a range of vital features, such as ability to manage static pages and a template/Theme system. It was also equipped with a new default template (code named Kubrick). designed by Michael Heilemann.|
|Old version, no longer supported: 2.0||Duke||December 31, 2005||Added rich editing, better administration tools, image uploading, faster posting, improved import system, fully overhauled the back end, and various improvements to Plugin developers.|
|Old version, no longer supported: 2.1||Ella||January 22, 2007||Corrected security issues, redesigned interface, enhanced editing tools (including integrated spell check and auto save), and improved content management options.|
|Old version, no longer supported: 2.2||Getz||May 16, 2007||Added widget support for templates, updated Atom feed support, and speed optimizations.|
|Old version, no longer supported: 2.3||Dexter||September 24, 2007||Added native tagging support, new taxonomy system for categories, and easy notification of updates, fully supports Atom 1.0, with the publishing protocol, and some much needed security fixes.|
|Old version, no longer supported: 2.5||Brecker||March 29, 2008||Major revamp to the dashboard, dashboard widgets, multi-file upload, extended search, improved editor, improved plugin system and more.|
|Old version, no longer supported: 2.6||Tyner||July 15, 2008||Added new features that made WordPress a more powerful CMS: it can now track changes to every post and page and allow easy posting from anywhere on the web.|
|Old version, no longer supported: 2.7||Coltrane||December 11, 2008||Administration interface redesigned fully, added automatic upgrades and installing plugins, from within the administration interface.|
|Old version, no longer supported: 2.8||Baker||June 10, 2009||Added improvements in speed, automatic installing of themes from within administration interface, introduces the CodePress editor for syntax highlighting and a redesigned widget interface.|
|Old version, no longer supported: 2.9||Carmen||December 19, 2009||Added global undo, built-in image editor, batch plugin updating, and many less visible tweaks.|
|Old version, no longer supported: 3.0||Thelonious||June 17, 2010||Added a new theme APIs, merge WordPress and WordPress MU, creating the new multi-site functionality, new default theme "Twenty Ten" and a refreshed, lighter admin UI.|
|Old version, no longer supported: 3.1||Reinhardt||February 23, 2011||Added the Admin Bar, which is displayed on all blog pages when an admin is logged in, and Post Format, best explained as a Tumblr like micro-blogging feature. It provides easy access to many critical functions, such as comments and updates. Includes internal linking abilities, a newly streamlined writing interface, and many other changes.|
|Old version, no longer supported: 3.2||Gershwin||July 4, 2011||Focused on making WordPress faster and lighter. Released only four months after version 3.1, reflecting the growing speed of development in the WordPress community.|
|Old version, no longer supported: 3.3||Sonny||December 12, 2011||Focused on making WordPress friendlier for beginners and tablet computer users.|
|Old version, no longer supported: 3.4||Green||June 13, 2012||Focused on improvements to theme customization, Twitter integration and several minor changes.|
|Old version, no longer supported: 3.5||Elvin||December 11, 2012||Support for the Retina Display, color picker, new default theme "Twenty Twelve", improved image workflow.|
|Old version, no longer supported: 3.6||Oscar||August 1, 2013||New default theme "Twenty Thirteen", admin enhancements, post formats UI update, menus UI improvements, new revision system, autosave and post locking.|
|Older version, yet still supported: 3.7||Basie||October 24, 2013||Automatically apply maintenance and security updates in the background, stronger password recommendations, support for automatically installing the right language files and keeping them up to date.|
|Older version, yet still supported: 3.8||Parker||December 12, 2013||Improved admin interface, responsive design for mobile devices, new typography using Open Sans, admin color schemes, redesigned theme management interface, simplified main dashboard, "Twenty Fourteen" magazine style default theme, second release using "Plugin-first development process".|
|Older version, yet still supported: 3.9||Smith||April 16, 2014||Improvements to editor for media, live widget and header previews, new theme browser.|
|Older version, yet still supported: 4.0||Benny||September 4, 2014||Improved media management, embeds, writing interface, easy language change, theme customizer, plugin discovery and compatibility with PHP 5.5 and MySQL 5.6.|
|Older version, yet still supported: 4.1||Dinah||December 18, 2014||Twenty Fifteen as the new default theme, distraction-free writing, easy language switch, Vine embeds and plugin recommendations.|
|Older version, yet still supported: 4.2||Powell||April 23, 2015||New "Press This" features, improved characters support, emoji support, improved customizer, new embeds and updated plugin system.|
|Older version, yet still supported: 4.3||Billie||August 18, 2015||Focus on mobile experience, better passwords and improved customizer.|
|Older version, yet still supported: 4.4||Clifford||December 8, 2015||Introduction of "Twenty Sixteen" theme, and improved responsive images and embeds.|
|Older version, yet still supported: 4.5||Coleman||April 12, 2016||Added inline linking, formatting shortcuts, live responsive previews, and other updates under the hood.|
|Older version, yet still supported: 4.6||Pepper||August 16, 2016||Added streamlined updates, native fonts, editor improvements with inline link checker and content recovery, and other updates under the hood.|
|Older version, yet still supported: 4.7||Vaughan||December 6, 2016||Comes with new default theme "Twenty Seventeen", Video Header Support, PDF preview, custom CSS in live preview, editor Improvements, and other updates under the hood.|
|Older version, yet still supported: 4.8||Evans||June 8, 2017||The next-generation editor. Additional specific goals include the TinyMCE inline element / link boundaries, new media widgets, WYSIWYG in text widget. End Support for Internet Explorer Versions 8, 9, and 10.|
|Current stable version: 4.9||Tipton||November 16, 2017||Improved theme customizer experience, including scheduling, frontend preview links, autosave revisions, theme browsing, improved menu functions, and syntax highlighting. Added new gallery widget and updated text and video widgets. Theme editor gives warnings and rollbacks when saving files that produce fatal errors.|
|Future release: 5.0||TBD||2018||WordPress 5.0 will be the first “major” release of 2018, including the new editor, codenamed “Gutenberg”.|
Matt Mullenweg has stated that the future of WordPress is in social, mobile, and as an application platform.
Many security issues have been uncovered in the software, particularly in 2007, 2008, and 2015. According to Secunia, WordPress in April 2009 had seven unpatched security advisories (out of 32 total), with a maximum rating of "Less Critical". Secunia maintains an up-to-date list of WordPress vulnerabilities.
In January 2007, many high-profile search engine optimization (SEO) blogs, as well as many low-profile commercial blogs featuring AdSense, were targeted and attacked with a WordPress exploit. A separate vulnerability on one of the project site's web servers allowed an attacker to introduce exploitable code in the form of a back door to some downloads of WordPress 2.1.1. The 2.1.2 release addressed this issue; an advisory released at the time advised all users to upgrade immediately.
In May 2007, a study revealed that 98% of WordPress blogs being run were exploitable because they were running outdated and unsupported versions of the software. In part to mitigate this problem, WordPress made updating the software a much easier, "one click" automated process in version 2.7 (released in December 2008). However, the filesystem security settings required to enable the update process can be an additional risk.
In a June 2007 interview, Stefan Esser, the founder of the PHP Security Response Team, spoke critically of WordPress' security track record, citing problems with the application's architecture that made it unnecessarily difficult to write code that is secure from SQL injection vulnerabilities, as well as some other problems.
In June 2013, it was found that some of the 50 most downloaded WordPress plugins were vulnerable to common Web attacks such as SQL injection and XSS. A separate inspection of the top-10 e-commerce plugins showed that seven of them were vulnerable.
In an effort to promote better security, and to streamline the update experience overall, automatic background updates were introduced in WordPress 3.7.
Individual installations of WordPress can be protected with security plugins that prevent user enumeration, hide resources and thwart probes. Users can also protect their WordPress installations by taking steps such as keeping all WordPress installation, themes, and plugins updated, using only trusted themes and plugins, editing the site's .htaccess file to prevent many types of SQL injection attacks and block unauthorized access to sensitive files. It is especially important to keep WordPress plugins updated because would-be hackers can easily list all the plugins a site uses, and then run scans searching for any vulnerabilities against those plugins. If vulnerabilities are found, they may be exploited to allow hackers to upload their own files (such as a PHP Shell script) that collect sensitive information.
Developers can also use tools to analyze potential vulnerabilities, including WPScan, WordPress Auditor and WordPress Sploit Framework developed by 0pc0deFR. These types of tools research known vulnerabilities, such as a CSRF, LFI, RFI, XSS, SQL injection and user enumeration. However, not all vulnerabilities can be detected by tools, so it is advisable to check the code of plugins, themes and other add-ins from other developers.
In March 2015, it was reported by many security experts and SEOs including Search Engine Land that a SEO plugin for WordPress called Yoast which is used by more than 14 million users worldwide has a vulnerability which can lead to an exploit where hackers can do a Blind SQL injection. To fix that issue they immediately introduced a newer version 1.7.4 of the same plugin to avoid any disturbance on web because of the security lapse that the plugin had.
In January 2017, security auditors at Sucuri identified a vulnerability in the WordPress REST API that would allow any unauthenticated user to modify any post or page within a site running WordPress 4.7 or greater. The auditors quietly notified WordPress developers, and within six days WordPress released a high priority patch to version 4.7.2 which addressed the problem.
WordPress' minimum PHP version requirement is PHP 5.2, which was released on January 6, 2006, and which has been unsupported by the PHP Group and not received any security patches since January 6, 2011.
Matt Mullenweg and Mike Little were cofounders of the project. The core lead developers include Helen Hou-Sandí, Dion Hulse, Mark Jaquith, Matt Mullenweg, Andrew Ozz, and Andrew Nacin.
WordPress is also developed by its community, including WP testers, a group of volunteers who test each release. They have early access to nightly builds, beta versions and release candidates. Errors are documented in a special mailing list, or the project's Trac tool.
Though largely developed by the community surrounding it, WordPress is closely associated with Automattic, the company founded by Matt Mullenweg. On September 9, 2010, Automattic handed the WordPress trademark to the newly created WordPress Foundation, which is an umbrella organization supporting WordPress.org (including the software and archives for plugins and themes), bbPress and BuddyPress.
WordCamps are casual, locally organized conferences covering everything related to WordPress. The first such event was WordCamp 2006 in August 2006 in San Francisco, which lasted one day and had over 500 attendees. The first WordCamp outside San Francisco was held in Beijing in September 2007. Since then, there have been over 507 WordCamps in over 207 cities in 48 different countries around the world. WordCamp San Francisco 2014 was the last official annual conference of WordPress developers and users taking place in San Francisco, having now been replaced with WordCamp US.
WordPress' primary support website is WordPress.org. This support website hosts both WordPress Codex, the online manual for WordPress and a living repository for WordPress information and documentation, and WordPress Forums, an active online community of WordPress users.
Right now we power about 24% of all websites as of this recording: that is the largest of any of the content management systems. The number two has around 3%. But we are not happy that we have just 24%, and we see a lot of work to get the remaining 76%.
b2 had actually, through a series of circumstances, essentially become abandoned.
I recently met with Matt Mullenweg, the creator of WordPress and CEO of Automattic, the company that develops WordPress and offers a range of products and services for WordPress users both large and small. Automattic is valued today at over $1 billion.