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Interior design is the art and science of enhancing the interior of a building to achieve a healthier and more aesthetically pleasing environment for the people using the space. An interior designer is someone who plans, researches, coordinates, and manages such projects. Interior design is a multifaceted profession that includes conceptual development, space planning, site inspections, programming, research, communicating with the stakeholders of a project, construction management, and execution of the design.
In the past, interiors were put together instinctively as a part of the process of building. The profession of interior design has been a consequence of the development of society and the complex architecture that has resulted from the development of industrial processes. The pursuit of effective use of space, user well-being and functional design has contributed to the development of the contemporary interior design profession. The profession of interior design is separate and distinct from the role of interior decorator, a term commonly used in the US. The term is less common in the UK where the profession of interior design is still unregulated and therefore, strictly speaking, not yet officially a profession.
In ancient India, architects used to work as interior designers. This can be seen from the references of Vishwakarma the architect - one of the gods in Indian mythology. Additionally, the sculptures depicting ancient texts and events are seen in palaces built in 17th-century India.
In ancient Egypt, "soul houses" or models of houses were placed in tombs as receptacles for food offerings. From these, it is possible to discern details about the interior design of different residences throughout the different Egyptian dynasties, such as changes in ventilation, porticoes, columns, loggias, windows, and doors.
Throughout the 17th and 18th century and into the early 19th century, interior decoration was the concern of the homemaker, or an employed upholsterer or craftsman who would advise on the artistic style for an interior space. Architects would also employ craftsmen or artisans to complete interior design for their buildings.
In the mid-to-late 19th century, interior design services expanded greatly, as the middle class in industrial countries grew in size and prosperity and began to desire the domestic trappings of wealth to cement their new status. Large furniture firms began to branch out into general interior design and management, offering full house furnishings in a variety of styles. This business model flourished from the mid-century to 1914, when this role was increasingly usurped by independent, often amateur, designers. This paved the way for the emergence of the professional interior design in the mid-20th century.
In the 1950s and 1960s, upholsterers began to expand their business remits. They framed their business more broadly and in artistic terms and began to advertise their furnishings to the public. To meet the growing demand for contract interior work on projects such as offices, hotels, and public buildings, these businesses became much larger and more complex, employing builders, joiners, plasterers, textile designers, artists, and furniture designers, as well as engineers and technicians to fulfil the job. Firms began to publish and circulate catalogs with prints for different lavish styles to attract the attention of expanding middle classes.
As department stores increased in number and size, retail spaces within shops were furnished in different styles as examples for customers. One particularly effective advertising tool was to set up model rooms at national and international exhibitions in showrooms for the public to see. Some of the pioneering firms in this regard were Waring & Gillow, James Shoolbred, Mintons, and Holland & Sons. These traditional high-quality furniture making firms began to play an important role as advisers to unsure middle class customers on taste and style, and began taking out contracts to design and furnish the interiors of many important buildings in Britain.
This type of firm emerged in America after the Civil War. The Herter Brothers, founded by two German emigre brothers, began as an upholstery warehouse and became one of the first firms of furniture makers and interior decorators. With their own design office and cabinet-making and upholstery workshops, Herter Brothers were prepared to accomplish every aspect of interior furnishing including decorative paneling and mantels, wall and ceiling decoration, patterned floors, and carpets and draperies.
A pivotal figure in popularizing theories of interior design to the middle class was the architect Owen Jones, one of the most influential design theorists of the nineteenth century. Jones' first project was his most important-in 1851 he was responsible for not only the decoration of Joseph Paxton’s gigantic Crystal Palace for the Great Exhibition, but also for the arrangement of the exhibits within. He chose a controversial palette of red, yellow, and blue for the interior ironwork and, despite initial negative publicity in the newspapers, was eventually unveiled by Queen Victoria to much critical acclaim. His most significant publication was The Grammar of Ornament (1856), in which Jones formulated 37 key principles of interior design and decoration.
Jones was employed by some of the leading interior design firms of the day; in the 1860s he worked in collaboration with the London firm Jackson & Graham to produce furniture and other fittings for high-profile clients including art collector Alfred Morrison and the Khedive of Egypt, Ismail Pasha.
In 1882, the London Directory of the Post Office listed 80 interior decorators. Some of the most distinguished companies of the period were Crace, Waring & Gillow and Holland & Sons; famous decorators employed by these firms included Thomas Edward Collcutt, Edward William Godwin, Charles Barry, Gottfried Semper, and George Edmund Street.
By the turn of the 20th century, amateur advisors and publications were increasingly challenging the monopoly that the large retail companies had on interior design. English feminist author Mary Haweis wrote a series of widely read essays in the 1880s in which she derided the eagerness with which aspiring middle-class people furnished their houses according to the rigid models offered to them by the retailers. She advocated the individual adoption of a particular style, tailor made to the individual needs and preferences of the customer:
The move towards decoration as a separate artistic profession unrelated to the manufacturers and retailers, received an impetus with the 1899 formation of the Institute of British Decorators; with John Dibblee Crace as its president it represented almost 200 decorators around the country. By 1915, the London Directory listed 127 individuals trading as interior decorators, of which 10 were women. Rhoda and Agnes Garrett were the first women to train professionally as home decorators in 1874. The importance of their work on design was regarded at the time as on a par with that of William Morris. In 1876, their work - Suggestions for House Decoration in Painting, Woodwork and Furniture - spread their ideas on artistic interior design to a wide middle-class audience.
By 1900, the situation was described by The Illustrated Carpenter and Builder:
In America, Candace Wheeler was one of the first woman interior designers and helped encourage a new style of American design. She was instrumental in the development of art courses for women in a number of major American cities and was considered a national authority on homedesign. An important influence on the new profession was The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman in 1897 in America. In the book, the authors denounced Victorian-style interior decoration and interior design, especially those rooms that were decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argued that such rooms emphasized upholstery at the expense of proper space planning and architectural design and were, therefore, uncomfortable and rarely used. The book is considered a seminal work and its success led to the emergence of professional decorators working in the manner advocated by its authors, most notably Elsie de Wolfe.
Elsie De Wolfe was one of the first female interior designers. Rejecting the Victorian style she grew up with, she chose a more vibrant scheme, along with more comfortable furniture in the home. Her designs were light, with fresh colors and delicate Chinoiserie furnishings, as opposed to the Victorian preference of heavy, red drapes and upholstery, dark wood and intensely patterned wallpapers. Her designs were also more practical; she eliminated the clutter that occupied the Victorian home, enabling people to entertain more guests comfortably. In 1905, de Wolfe was commissioned for the interior design of the Colony Club on Madison Avenue; its interiors garnered her recognition almost over night. She compiled her ideas into her widely read 1913 book, The House in Good Taste.
In England, Syrie Maugham became a legendary interior designer credited with designing the first all-white room. Starting her career in the early 1910s, her international reputation soon grew; she later expanded her business to New York City and Chicago. Born during the Victorian Era, a time characterized by dark colors and small spaces, she instead designed rooms filled with light and furnished in multiple shades of white and mirrored screens. In addition to mirrored screens, her trademark pieces included: books covered in white vellum, cutlery with white porcelain handles, console tables with plaster palm-frond, shell, or dolphin bases, upholstered and fringed sleigh beds, fur carpets, dining chairs covered in white leather, and lamps of graduated glass balls, and wreaths.
The interior design profession became more established after World War II. From the 1950s onwards, spending on the home increased. Interior design courses were established, requiring the publication of textbooks and reference sources. Historical accounts of interior designers and firms distinct from the decorative arts specialists were made available. Organisations to regulate education, qualifications, standards and practices, etc. were established for the profession.
Interior design was previously seen as playing a secondary role to architecture. It also has many connections to other design disciplines, involving the work of architects, industrial designers, engineers, builders, craftsmen, etc. For these reasons, the government of interior design standards and qualifications was often incorporated into other professional organisations that involved design. Organisations such as the Chartered Society of Designers, established in the UK in 1986, and the American Designers Institute, founded in 1938, governed various areas of design.
It was not until later that specific representation for the interior design profession was developed. The US National Society of Interior Designers was established in 1957, while in the UK the Interior Decorators and Designers Association was established in 1966. Across Europe, other organisations such as The Finnish Association of Interior Architects (1949) were being established and in 1994 the International Interior Design Association was founded.
Ellen Mazur Thomson, author of Origins of Graphic Design in America (1997), determined that professional status is achieved through education, self-imposed standards and professional gate-keeping organizations. Having achieved this, interior design became an accepted profession.
Interior design is the art and science of understanding people's behavior to create functional spaces within a building. Decoration is the furnishing or adorning of a space with fashionable or beautiful things. In short, interior designers may decorate, but decorators do not design.
Interior designer implies that there is more of an emphasis on planning, functional design and the effective use of space, as compared to interior decorating. An interior designer in fineline design can undertake projects that include arranging the basic layout of spaces within a building as well as projects that require an understanding of technical issues such as window and door positioning, acoustics, and lighting. Although an interior designer may create the layout of a space, they may not alter load-bearing walls without having their designs stamped for approval by a structural engineer. Interior designers often work directly with architects, engineers and contractors.
Interior designers must be highly skilled in order to create interior environments that are functional, safe, and adhere to building codes, regulations and ADA requirements. They go beyond the selection of color palettes and furnishings and apply their knowledge to the development of construction documents, occupancy loads, healthcare regulations and sustainable design principles, as well as the management and coordination of professional services including mechanical, electrical, plumbing, and life safety-all to ensure that people can live, learn or work in an innocuous environment that is also aesthetically pleasing.
Someone may wish to specialize and develop technical knowledge specific to one area or type of interior design, such as residential design, commercial design, hospitality design, healthcare design, universal design, exhibition design, furniture design, and spatial branding. Interior design is a creative profession that is relatively new, constantly evolving, and often confusing to the public. It is not an artistic pursuit and relies on research from many fields to provide a well-trained understanding of how people are influenced by their environments.
Color is a powerful design tool in decoration, as well as in interior design which is the art of composing, and coordinating colors together to create a stylish scheme on the interior architecture of the space.
It is essential to interior designers to acquire a deep experience with colors, understand their psychological effects, and understand the meaning of each color in different locations and situations in order to create suitable combinations for each place.
Combining colors together could result in creating a state of mind as seen by the observer, and could eventually result in positive or negative effects on them. Colors make the room feel either more calm, cheerful, comfortable, stressful, or dramatic. Color combination make a tiny room seem larger or smaller. So it is the Interior designer profession to choose appropriate colors for a place in a way people want to look and feel in the space.
Residential design is the design of the interior of private residences. As this type design is very specific for individual situations, the needs and wants of the individual are paramount in this area of interior design. The interior designer may work on the project from the initial planning stage or may work on the remodelling of an existing structure. It is often a very involved process that takes months to fine-tune and create a space with the vision of the client.
Commercial design encompasses a wide range of subspecialties.
Other areas of specialization include amusement and theme park design, museum and exhibition design, exhibit design, event design (including ceremonies, weddings, baby and bridal showers, parties, conventions, and concerts), interior and prop styling, craft styling, food styling, product styling, tablescape design, theatre and performance design, stage and set design, scenic design, and production design for film and television. Beyond those, interior designers, particularly those with graduate education, can specialize in healthcare design, gerontological design, educational facility design, and other areas that require specialized knowledge. Some university programs offer graduate studies in theses and other areas. For example, both Cornell University and the University of Florida offer interior design graduate programs in environment and behavior studies.
There are various paths that one can take to become a professional interior designer. All of these paths involve some form of training. Working with a successful professional designer is an informal method of training and has previously been the most common method of education. In many states, however, this path alone cannot lead to licensing as a professional interior designer. Training through an institution such as a college, art or design school or university is a more formal route to professional practice.
In the UK and the U.S, several university degree courses are now available, including those on interior architecture, taking three or four years to complete.
A formal education program, particularly one accredited by or developed with a professional organization of interior designers, can provide training that meets a minimum standard of excellence and therefore gives a student an education of a high standard. There are also university graduate and Ph.d. programs available for those seeking further training in a specific design specialization (i.e. gerontological or healthcare design) or those wishing to teach interior design at the university level.
There are a wide range of working conditions and employment opportunities within interior design. Large and tiny corporations often hire interior designers as employees on regular working hours. Designers for smaller firms and online renovation platforms usually work on a contract or per-job basis. Self-employed designers, which make up 26% of interior designers, usually work the most hours. Interior designers often work under stress to meet deadlines, stay on budget, and meet clients' needs.
In some cases, licensed professionals review the work and sign it before submitting the design for approval by clients or construction permisioning. The need for licensed review and signature varies by locality, relevant legislation, and scope of work. Their work can involve significant travel to visit different locations. However, with technology development, the process of contacting clients and communicating design alternatives has become easier and requires less travel. They also renovate a space to satisfy the specific taste for a client.
The Art Deco style began in Europe in the early years of the 20th century, with the waning of Art Nouveau. The term "Art Deco" was taken from the Exposition Internationale des Arts Decoratifs et Industriels Modernes, a world’s fair held in Paris in 1925. Art Deco rejected many traditional classical influences in favour of more streamlined geometric forms and metallic color. The Art Deco style influenced all areas of design, especially interior design, because it was the first style of interior decoration to spotlight new technologies and materials.
Art Deco style is mainly based on geometric shapes, streamlining, and clean lines. The style offered a sharp, cool look of mechanized living utterly at odds with anything that came before.
Art Deco rejected traditional materials of decoration and interior design, opting instead to use more unusual materials such as chrome, glass, stainless steel, shiny fabrics, mirrors, aluminium, lacquer, inlaid wood, sharkskin, and zebra skin. The use of harder, metallic materials was chosen to celebrate the machine age. These materials reflected the dawning modern age that was ushered in after the end of the First World War. The innovative combinations of these materials created contrasts that were very popular at the time - for example the mixing together of highly polished wood and black lacquer with satin and furs. The barber shop in the Austin Reed store in London was designed by P. J. Westwood. It was soon regarded as the trendiest barber shop in Britain due to its use of metallic materials.
The color themes of Art Deco consisted of metallic color, neutral color, bright color, and black and white. In interior design, cool metallic colors including silver, gold, metallic blue, charcoal grey, and platinum tended to predominate. Serge Chermayeff, a Russian-born British designer made extensive use of cool metallic colors and luxurious surfaces in his room schemes. His 1930 showroom design for a British dressmaking firm had a silver-grey background and black mirrored-glass wall panels.
Black and white was also a very popular color scheme during the 1920s and 1930s. Black and white checkerboard tiles, floors and wallpapers were very trendy at the time. As the style developed, bright vibrant colors became popular as well.
Art Deco furnishings and lighting fixtures had a glossy, luxurious appearance with the use of inlaid wood and reflective finishes. The furniture pieces often had curved edges, geometric shapes, and clean lines. Art Deco lighting fixtures tended to make use of stacked geometric patterns.
"Modern design grew out of the decorative arts, mostly from the Art Deco, in the early 20th century." One of the first to introduce this style was Frank Lloyd Wright, who hadn't become hugely popularized until completing the house called Fallingwater in the 1930s. "Modern art reached its peak in the 1950s and 60s which is why designers and decorators today may refer to modern design as being "mid-century." Modern Art does not refer to the era or age of design. "Modern art is not the same as contemporary design, which is a term that interior designers apply to a shifting group of recent styles and trends."
“Majlis painting”, also called nagash painting, is the decoration of the majlis or front parlor of traditional Arabic homes in the Asir province of Saudi Arabia and adjoining parts of Yemen These wall paintings, an arabesque form of mural or fresco, show various geometric designs in bright colors: “Called 'nagash' in Arabic, the wall paintings were a mark of pride for a woman in her house.”
The geometric designs and heavy lines seem to be adapted from the area’s textile and weaving patterns. “In contrast with the sobriety of architecture and decoration in the rest of Arabia, exuberant color and ornamentation characterize those of 'Asir. The painting extends into the house over the walls and doors, up the staircases, and onto the furniture itself. When a house is being painted, women from the community help each other finish the job. The building then displays their shared taste and knowledge. Mothers pass these on to their daughters. This artwork is based on a geometry of straight lines and suggests the patterns common to textile weaving, with solid bands of different colors. Certain motifs reappear, such as the triangular mihrab or 'niche' and the palmette. In the past, paint was produced from mineral and vegetable pigments. Cloves and alfalfa yielded green. Blue came from the indigo plant. Red came from pomegranates and a certain mud. Paintbrushes were created from the tough hair found in a goat's tail. Today, however, women use modern manufactured paint to create new looks, which have become an indicator of social and economic change.”
Women in the Asir province often complete the decoration and painting of the house interior. “You could tell a family’s wealth by the paintings,” Um Abdullah says: “If they didn’t have much money, the wife could only paint the motholath,” the basic straight, simple lines, in patterns of three to six repetitions in red, green, yellow and brown.” When women did not want to paint the walls themselves, they could barter with other women who would do the work. Several Saudi women have become famous as majlis painters, such as Fatima Abou Gahas.
The interior walls of the home are brightly painted by the women, who work in defined patterns with lines, triangles, squares, diagonals and tree-like patterns. “Some of the large triangles represent mountains. Zigzag lines stand for water and also for lightning. Small triangles, especially when the widest area is at the top, are found in pre-Islamic representations of female figures. That the small triangles found in the wall paintings in ‘Asir are called banat may be a cultural remnant of a long-forgotten past.”
"Courtyards and upper pillared porticoes are principal features of the best Nadjdi architecture, in addition to the fine incised plaster wood (jiss) and painted window shutters, which decorate the reception rooms. Good examples of plasterwork can often be seen in the gaping ruins of torn-down buildings- the effect is light, delicate and airy. It is usually around the majlis, around the coffee hearth and along the walls above where guests sat on rugs, against cushions. Doughty wondered if this "parquetting of jis", this "gypsum fretwork... all adorning and unenclosed" originated from India. However, the Najd fretwork seems very different from that seen in the Eastern Province and Oman, which are linked to Indian traditions, and rather resembles the motifs and patterns found in ancient Mesopotamia. The rosette, the star, the triangle and the stepped pinnacle pattern of dadoes are all ancient patterns, and can be found all over the Middle East of antiquity. Al-Qassim Province seems to be the home of this art, and there it is normally worked in hard white plaster (though what you see is usually begrimed by the smoke of the coffee hearth). In Riyadh, examples can be seen in unadorned clay.
Interior design has become the subject of television shows. In the United Kingdom (UK), popular interior design and decorating programs include 60 Minute Makeover (ITV), Changing Rooms (BBC), and Selling Houses (Channel 4). Famous interior designers whose work is featured in these programs include Linda Barker and Laurence Llewelyn-Bowen. In the United States, the TLC Network aired a popular program called Trading Spaces, a show based on the UK program Changing Rooms. In addition, both HGTV and the DIY Network also televise many programs about interior design and decorating, featuring the works of a variety of interior designers, decorators, and home improvement experts in a myriad of projects.
Fictional interior decorators include the Sugarbaker sisters on Designing Women and Grace Adler on Will & Grace. There is also another show called Home MADE. There are two teams and two houses and whoever has the designed and made the worst room, according to the judges, is eliminated. Another show on the Style Network, hosted by Niecy Nash, is Clean House where they re-do messy homes into themed rooms that the clients would like. Other shows include Design on a Dime, Designed to Sell, and The Decorating Adventures of Ambrose Price. The show called Design Star has become more popular through the 5 seasons that have already aired. The winners of this show end up getting their own TV shows, of which are Color Splash hosted by David Bromstad, Myles of Style hosted by Kim Myles, Paint-Over! hosted by Jennifer Bertrand, The Antonio Treatment hosted by Antonio Ballatore, and finally Secrets from a Stylist hosted by Emily Henderson. Bravo also has a variety of shows that explore the lives of interior designers. These include Flipping Out, which explores the life of Jeff Lewis and his team of designers; Million Dollar Decorators explores the lives of interior designers Nathan Turner, Jeffrey Alan Marks, Mary McDonald, Kathryn Ireland, and Martyn Lawrence Bullard.
Interior design has also become the subject of radio shows. In the U.S., popular interior design & lifestyle shows include Martha Stewart Living and Living Large featuring Karen Mills. Famous interior designers whose work is featured on these programs include Bunny Williams, Barbara Barry, and Kathy Ireland, among others.
Many interior design magazines exist to offer advice regarding color palette, furniture, art, and other elements that fall under the umbrella of interior design. These magazine often focus on related subjects to draw a more specific audience. For instance, architecture as a primary aspect of Dwell, while Veranda is well known as a luxury living magazine. Lonny Magazine and the newly relaunched, Domino Magazine, cater to a young, hip, metropolitan audience, and emphasize accessibility and a do-it-yourself (DIY) approach to interior design.
Birendra rana house :-
Other early interior decorators:
Many of the most famous designers and decorators during the 20th century had no formal training. Some examples include Sister Parish, Robert Denning and Vincent Fourcade, Kerry Joyce, Kelly Wearstler, Stéphane Boudin, Georges Geffroy, Emilio Terry, Carlos de Beistegui, Nina Petronzio, Lorenzo Mongiardino, and David Nightingale Hicks.
Notable interior designers in the world today include Scott Salvator, Jonathan Adler, Michael S. Smith, Martin Brudnizki, Kelly Hoppen, Kelly Wearstler, Andrew Martin International, Nina Campbell, David Collins, Nate Berkus, Sandra Espinet, Jo Hamilton and Nicky Haslam.
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|Initial release||May 27, 2003; 14 years ago (2003-05-27)|
4.9.4 / 2018-02-06[±]
|Operating system||Unix-like, Windows|
|Type||Blog software, Content Management System, Content Management Framework|
WordPress is a free and open-source content management system (CMS) based on PHP and MySQL. To function, WordPress has to be installed on a web server, which would either be part of an Internet hosting service or a network host in its own right. An example of the first scenario may be a service like WordPress.com, and the second case could be a computer running the software package WordPress.org. A local computer may be used for single-user testing and learning purposes. Features include a plugin architecture and a template system. WordPress was used by more than 29.4% of the top 10 million websites as of January 2018[update].WordPress is reportedly the most popular website management or blogging system in use on the Web, supporting more than 60 million websites. WordPress has also been used for other application domains such as pervasive display systems (PDS).
WordPress was released on May 27, 2003, by its founders, Matt Mullenweg and Mike Little, as a fork of b2/cafelog. WordPress is released under the GPLv2 (or later) license.
WordPress has a web template system using a template processor. Its architecture is a front controller, routing all requests for non-static URIs to a single PHP file which parses the URI and identifies the target page. This allows support for more human-readable permalinks.
WordPress users may install and switch among different themes. Themes allow users to change the look and functionality of a WordPress website without altering the core code or site content. Every WordPress website requires at least one theme to be present and every theme should be designed using WordPress standards with structured PHP, valid HTML (HyperText Markup Language), and Cascading Style Sheets (CSS). Themes may be directly installed using the WordPress "Appearance" administration tool in the dashboard, or theme folders may be copied directly into the themes directory, for example via FTP. The PHP, HTML and CSS found in themes can be directly modified to alter theme behavior, or a theme can be a "child" theme which inherits settings from another theme and selectively overrides features. WordPress themes are generally classified into two categories: free and premium. Many free themes are listed in the WordPress theme directory, and premium themes are available for purchase from marketplaces and individual WordPress developers. WordPress users may also create and develop their own custom themes. The free theme Underscores created by the WordPress developers has become a popular basis for new themes.
WordPress' plugin architecture allows users to extend the features and functionality of a website or blog. WordPress has over 50,316 plugins available, each of which offers custom functions and features enabling users to tailor their sites to their specific needs. These customizations range from search engine optimization, to client portals used to display private information to logged in users, to content management systems, to content displaying features, such as the addition of widgets and navigation bars. Not all available plugins are always abreast with the upgrades and as a result they may not function properly or may not function at all. Most plugins are available through WordPress themselves, either via downloading them and installing the files manually via FTP or through the WordPress dashboard. However, many third parties offer plugins through their own websites, many of which are paid packages.
Native applications exist for WebOS, Android, iOS (iPhone, iPod Touch, iPad), Windows Phone, and BlackBerry. These applications, designed by Automattic, have options such as adding new blog posts and pages, commenting, moderating comments, replying to comments in addition to the ability to view the stats.
WordPress also features integrated link management; a search engine–friendly, clean permalink structure; the ability to assign multiple categories to posts; and support for tagging of posts. Automatic filters are also included, providing standardized formatting and styling of text in posts (for example, converting regular quotes to smart quotes). WordPress also supports the Trackback and Pingback standards for displaying links to other sites that have themselves linked to a post or an article. WordPress posts can be edited in HTML, using the visual editor, or using one of a number of plugins that allow for a variety of customized editing features.
Prior to version 3, WordPress supported one blog per installation, although multiple concurrent copies may be run from different directories if configured to use separate database tables. WordPress Multisites (previously referred to as WordPress Multi-User, WordPress MU, or WPMU) was a fork of WordPress created to allow multiple blogs to exist within one installation but is able to be administered by a centralized maintainer. WordPress MU makes it possible for those with websites to host their own blogging communities, as well as control and moderate all the blogs from a single dashboard. WordPress MS adds eight new data tables for each blog.
As of the release of WordPress 3, WordPress MU has merged with WordPress.
b2/cafelog, more commonly known as b2 or cafelog, was the precursor to WordPress. b2/cafelog was estimated to have been installed on approximately 2,000 blogs as of May 2003. It was written in PHP for use with MySQL by Michel Valdrighi, who is now a contributing developer to WordPress. Although WordPress is the official successor, another project, b2evolution, is also in active development.
WordPress first appeared in 2003 as a joint effort between Matt Mullenweg and Mike Little to create a fork of b2. Christine Selleck Tremoulet, a friend of Mullenweg, suggested the name WordPress.
In 2004 the licensing terms for the competing Movable Type package were changed by Six Apart, resulting in many of its most influential users migrating to WordPress. By October 2009 the Open Source CMS MarketShare Report concluded that WordPress enjoyed the greatest brand strength of any open-source content management system.
As of February 2017, WordPress is used by 58.7% of all the websites whose content management system is known. This is 27.5% of the top 10 million websites.
Winner of Infoworld's “Best of open source software awards: Collaboration”, awarded in 2008.
Winner of Open Source CMS Awards's “Overall Best Open Source CMS", awarded in 2009.
Winner of digitalsynergy's “Hall of Fame CMS category in the 2010 Open Source”, awarded in 2010.
Winner of Infoworld's “Bossie award for Best Open Source Software”, awarded in 2011.
Winner of CMS Critic Award's “Best CMS for Personal Websites", awarded in 2015.
Main releases of WordPress are codenamed after well-known jazz musicians, starting after version 1.0.
|Legend:||Old version||Older version, still supported||Current stable version||Latest preview version||Future release|
|Version||Code name||Release date||Notes|
|Old version, no longer supported: 0.7||none||May 27, 2003||Used the same file structure as its predecessor, b2/cafelog, and continued the numbering from its last release, 0.6. Only 0.71-gold is available for download in the official WordPress Release Archive page.|
|Old version, no longer supported: 1.0||Davis||January 3, 2004||Added search engine friendly permalinks, multiple categories, dead simple installation and upgrade, comment moderation, XFN support, Atom support.|
|Old version, no longer supported: 1.2||Mingus||May 22, 2004||Added support of Plugins; which same identification headers are used unchanged in WordPress releases as of 2011[update].|
|Old version, no longer supported: 1.5||Strayhorn||February 17, 2005||Added a range of vital features, such as ability to manage static pages and a template/Theme system. It was also equipped with a new default template (code named Kubrick). designed by Michael Heilemann.|
|Old version, no longer supported: 2.0||Duke||December 31, 2005||Added rich editing, better administration tools, image uploading, faster posting, improved import system, fully overhauled the back end, and various improvements to Plugin developers.|
|Old version, no longer supported: 2.1||Ella||January 22, 2007||Corrected security issues, redesigned interface, enhanced editing tools (including integrated spell check and auto save), and improved content management options.|
|Old version, no longer supported: 2.2||Getz||May 16, 2007||Added widget support for templates, updated Atom feed support, and speed optimizations.|
|Old version, no longer supported: 2.3||Dexter||September 24, 2007||Added native tagging support, new taxonomy system for categories, and easy notification of updates, fully supports Atom 1.0, with the publishing protocol, and some much needed security fixes.|
|Old version, no longer supported: 2.5||Brecker||March 29, 2008||Major revamp to the dashboard, dashboard widgets, multi-file upload, extended search, improved editor, improved plugin system and more.|
|Old version, no longer supported: 2.6||Tyner||July 15, 2008||Added new features that made WordPress a more powerful CMS: it can now track changes to every post and page and allow easy posting from anywhere on the web.|
|Old version, no longer supported: 2.7||Coltrane||December 11, 2008||Administration interface redesigned fully, added automatic upgrades and installing plugins, from within the administration interface.|
|Old version, no longer supported: 2.8||Baker||June 10, 2009||Added improvements in speed, automatic installing of themes from within administration interface, introduces the CodePress editor for syntax highlighting and a redesigned widget interface.|
|Old version, no longer supported: 2.9||Carmen||December 19, 2009||Added global undo, built-in image editor, batch plugin updating, and many less visible tweaks.|
|Old version, no longer supported: 3.0||Thelonious||June 17, 2010||Added a new theme APIs, merge WordPress and WordPress MU, creating the new multi-site functionality, new default theme "Twenty Ten" and a refreshed, lighter admin UI.|
|Old version, no longer supported: 3.1||Reinhardt||February 23, 2011||Added the Admin Bar, which is displayed on all blog pages when an admin is logged in, and Post Format, best explained as a Tumblr like micro-blogging feature. It provides easy access to many critical functions, such as comments and updates. Includes internal linking abilities, a newly streamlined writing interface, and many other changes.|
|Old version, no longer supported: 3.2||Gershwin||July 4, 2011||Focused on making WordPress faster and lighter. Released only four months after version 3.1, reflecting the growing speed of development in the WordPress community.|
|Old version, no longer supported: 3.3||Sonny||December 12, 2011||Focused on making WordPress friendlier for beginners and tablet computer users.|
|Old version, no longer supported: 3.4||Green||June 13, 2012||Focused on improvements to theme customization, Twitter integration and several minor changes.|
|Old version, no longer supported: 3.5||Elvin||December 11, 2012||Support for the Retina Display, color picker, new default theme "Twenty Twelve", improved image workflow.|
|Old version, no longer supported: 3.6||Oscar||August 1, 2013||New default theme "Twenty Thirteen", admin enhancements, post formats UI update, menus UI improvements, new revision system, autosave and post locking.|
|Older version, yet still supported: 3.7||Basie||October 24, 2013||Automatically apply maintenance and security updates in the background, stronger password recommendations, support for automatically installing the right language files and keeping them up to date.|
|Older version, yet still supported: 3.8||Parker||December 12, 2013||Improved admin interface, responsive design for mobile devices, new typography using Open Sans, admin color schemes, redesigned theme management interface, simplified main dashboard, "Twenty Fourteen" magazine style default theme, second release using "Plugin-first development process".|
|Older version, yet still supported: 3.9||Smith||April 16, 2014||Improvements to editor for media, live widget and header previews, new theme browser.|
|Older version, yet still supported: 4.0||Benny||September 4, 2014||Improved media management, embeds, writing interface, easy language change, theme customizer, plugin discovery and compatibility with PHP 5.5 and MySQL 5.6.|
|Older version, yet still supported: 4.1||Dinah||December 18, 2014||Twenty Fifteen as the new default theme, distraction-free writing, easy language switch, Vine embeds and plugin recommendations.|
|Older version, yet still supported: 4.2||Powell||April 23, 2015||New "Press This" features, improved characters support, emoji support, improved customizer, new embeds and updated plugin system.|
|Older version, yet still supported: 4.3||Billie||August 18, 2015||Focus on mobile experience, better passwords and improved customizer.|
|Older version, yet still supported: 4.4||Clifford||December 8, 2015||Introduction of "Twenty Sixteen" theme, and improved responsive images and embeds.|
|Older version, yet still supported: 4.5||Coleman||April 12, 2016||Added inline linking, formatting shortcuts, live responsive previews, and other updates under the hood.|
|Older version, yet still supported: 4.6||Pepper||August 16, 2016||Added streamlined updates, native fonts, editor improvements with inline link checker and content recovery, and other updates under the hood.|
|Older version, yet still supported: 4.7||Vaughan||December 6, 2016||Comes with new default theme "Twenty Seventeen", Video Header Support, PDF preview, custom CSS in live preview, editor Improvements, and other updates under the hood.|
|Older version, yet still supported: 4.8||Evans||June 8, 2017||The next-generation editor. Additional specific goals include the TinyMCE inline element / link boundaries, new media widgets, WYSIWYG in text widget. End Support for Internet Explorer Versions 8, 9, and 10.|
|Current stable version: 4.9||Tipton||November 16, 2017||Improved theme customizer experience, including scheduling, frontend preview links, autosave revisions, theme browsing, improved menu functions, and syntax highlighting. Added new gallery widget and updated text and video widgets. Theme editor gives warnings and rollbacks when saving files that produce fatal errors.|
|Future release: 5.0||TBD||2018||WordPress 5.0 will be the first “major” release of 2018, including the new editor, codenamed “Gutenberg”.|
Matt Mullenweg has stated that the future of WordPress is in social, mobile, and as an application platform.
Many security issues have been uncovered in the software, particularly in 2007, 2008, and 2015. According to Secunia, WordPress in April 2009 had seven unpatched security advisories (out of 32 total), with a maximum rating of "Less Critical". Secunia maintains an up-to-date list of WordPress vulnerabilities.
In January 2007, many high-profile search engine optimization (SEO) blogs, as well as many low-profile commercial blogs featuring AdSense, were targeted and attacked with a WordPress exploit. A separate vulnerability on one of the project site's web servers allowed an attacker to introduce exploitable code in the form of a back door to some downloads of WordPress 2.1.1. The 2.1.2 release addressed this issue; an advisory released at the time advised all users to upgrade immediately.
In May 2007, a study revealed that 98% of WordPress blogs being run were exploitable because they were running outdated and unsupported versions of the software. In part to mitigate this problem, WordPress made updating the software a much easier, "one click" automated process in version 2.7 (released in December 2008). However, the filesystem security settings required to enable the update process can be an additional risk.
In a June 2007 interview, Stefan Esser, the founder of the PHP Security Response Team, spoke critically of WordPress' security track record, citing problems with the application's architecture that made it unnecessarily difficult to write code that is secure from SQL injection vulnerabilities, as well as some other problems.
In June 2013, it was found that some of the 50 most downloaded WordPress plugins were vulnerable to common Web attacks such as SQL injection and XSS. A separate inspection of the top-10 e-commerce plugins showed that seven of them were vulnerable.
In an effort to promote better security, and to streamline the update experience overall, automatic background updates were introduced in WordPress 3.7.
Individual installations of WordPress can be protected with security plugins that prevent user enumeration, hide resources and thwart probes. Users can also protect their WordPress installations by taking steps such as keeping all WordPress installation, themes, and plugins updated, using only trusted themes and plugins, editing the site's .htaccess file to prevent many types of SQL injection attacks and block unauthorized access to sensitive files. It is especially important to keep WordPress plugins updated because would-be hackers can easily list all the plugins a site uses, and then run scans searching for any vulnerabilities against those plugins. If vulnerabilities are found, they may be exploited to allow hackers to upload their own files (such as a PHP Shell script) that collect sensitive information.
Developers can also use tools to analyze potential vulnerabilities, including WPScan, WordPress Auditor and WordPress Sploit Framework developed by 0pc0deFR. These types of tools research known vulnerabilities, such as a CSRF, LFI, RFI, XSS, SQL injection and user enumeration. However, not all vulnerabilities can be detected by tools, so it is advisable to check the code of plugins, themes and other add-ins from other developers.
In March 2015, it was reported by many security experts and SEOs including Search Engine Land that a SEO plugin for WordPress called Yoast which is used by more than 14 million users worldwide has a vulnerability which can lead to an exploit where hackers can do a Blind SQL injection. To fix that issue they immediately introduced a newer version 1.7.4 of the same plugin to avoid any disturbance on web because of the security lapse that the plugin had.
In January 2017, security auditors at Sucuri identified a vulnerability in the WordPress REST API that would allow any unauthenticated user to modify any post or page within a site running WordPress 4.7 or greater. The auditors quietly notified WordPress developers, and within six days WordPress released a high priority patch to version 4.7.2 which addressed the problem.
WordPress' minimum PHP version requirement is PHP 5.2, which was released on January 6, 2006, and which has been unsupported by the PHP Group and not received any security patches since January 6, 2011.
Matt Mullenweg and Mike Little were cofounders of the project. The core lead developers include Helen Hou-Sandí, Dion Hulse, Mark Jaquith, Matt Mullenweg, Andrew Ozz, and Andrew Nacin.
WordPress is also developed by its community, including WP testers, a group of volunteers who test each release. They have early access to nightly builds, beta versions and release candidates. Errors are documented in a special mailing list, or the project's Trac tool.
Though largely developed by the community surrounding it, WordPress is closely associated with Automattic, the company founded by Matt Mullenweg. On September 9, 2010, Automattic handed the WordPress trademark to the newly created WordPress Foundation, which is an umbrella organization supporting WordPress.org (including the software and archives for plugins and themes), bbPress and BuddyPress.
WordCamps are casual, locally organized conferences covering everything related to WordPress. The first such event was WordCamp 2006 in August 2006 in San Francisco, which lasted one day and had over 500 attendees. The first WordCamp outside San Francisco was held in Beijing in September 2007. Since then, there have been over 507 WordCamps in over 207 cities in 48 different countries around the world. WordCamp San Francisco 2014 was the last official annual conference of WordPress developers and users taking place in San Francisco, having now been replaced with WordCamp US.
WordPress' primary support website is WordPress.org. This support website hosts both WordPress Codex, the online manual for WordPress and a living repository for WordPress information and documentation, and WordPress Forums, an active online community of WordPress users.
Right now we power about 24% of all websites as of this recording: that is the largest of any of the content management systems. The number two has around 3%. But we are not happy that we have just 24%, and we see a lot of work to get the remaining 76%.
b2 had actually, through a series of circumstances, essentially become abandoned.
I recently met with Matt Mullenweg, the creator of WordPress and CEO of Automattic, the company that develops WordPress and offers a range of products and services for WordPress users both large and small. Automattic is valued today at over $1 billion.