A mansion is a large dwelling house. The word itself derives (through Old French) from the Latin word mansio "dwelling", an abstract noun derived from the verb manere "to dwell". The English word "manse" originally defined a property large enough for the parish priest to maintain himself, but a mansion is no longer self-sustaining in this way (compare a Roman or medieval villa). 'Manor' comes from the same root- territorial holdings granted toe Roman Empire. Within a Roman city, patrician dwellings might be very extensive, but they rarely identified their grandeur to the street, beyond the public amenity of a sheltered portico. Nero's Domus Aurea on the Palatine Hill, Rome was organized as a series of glittering pavilions in gardens rather than a mansion.
Following the fall of Rome the practice of building unfortified villas ceased. Today, the oldest inhabited mansions around the world usually began their existence as fortified castles in the middle ages. As social conditions slowly changed and stabilised fortifications were able to be reduced, and over the centuries gave way to comfort. It became fashionable and possible for homes to be beautiful rather than grim and forbidding. Hence the modern mansion began to evolve.
In British English a mansion block refers to a block of flats or apartments. In many parts of Asia, including Hong Kong and Japan, the word mansion also refers to a block of apartments.
In Europe, from the 15th century onwards, a combination of politics and advancements in modern weaponry negated the need for the aristocracy to live in fortified castles. As a result many were transformed into mansions without defences or demolished and rebuilt in a more modern, undefended style. Due to intermarriage and primogeniture inheritance amongst the aristocracy, it became common for one noble to often own several country houses. These would be visited rotationally throughout the year as their owner pursued the social and sporting circuit from country home to country home. Many owners of a country house would also own a town mansion in their country's capital city. These town mansions were referred to as 'houses' in London, hotels in Paris and palaces in most European cities elsewhere.
As the 16th century progressed, and Renaissance styles of architecture slowly spread across Europe, the last vestiges of castle architecture and life changed; the central points of these great house, great halls, became redundant as owners wished to live separately from their servants, and no longer ate with them in a Great Hall. All evidence and odours of cooking and staff were banished from the principal parts of the house into distant wings, while the owners began to live in airy rooms, above the ground floor, with privacy from their servants, who were now confined, unless required, to their specifically delegated areas-often the ground and uppermost attic floors. This was a period of great social change, as the educated prided themselves on enlightenment.
The uses of these edifices paralleled that of the Roman villas. It was vital for powerful people and families to keep in social contact with each other as they were the primary moulders of society. The rounds of visits and entertainments were an essential part of the societal process, as painted in the novels of Jane Austen. State business was often discussed and determined in informal settings. Times of revolution reversed this value. During its revolution, France lost a large part of its country homes to incendiary committees, who destroyed the estates as a reaction to/rejection of the ancient régimes.
Until World War I it was not unusual for a moderately sized mansion in England such as Cliveden to have an indoor staff of 20 and an outside staff of the same size, and in ducal mansions such as Chatsworth House the numbers could be far higher. In the great houses of Italy, the number of retainers was often even greater than in England; whole families plus extended relations would often inhabit warrens of rooms in basements and attics. It is doubtful that a 19th-century Marchesa would even know the exact number of individuals who served her. Most European mansions also were the hub of vast estates. A true estate (the medieval villa, French ville) always contains at least one complete village and its church. Large estates such as that of Woburn Abbey have several villages attached.
The 19th century saw in the United States and Europe the continuation of the building of mansions. Built by self-made men, these were often smaller and than those built by the old European aristocracy. These new builders of mansions did not confine themselves to just the then fashionable Gothic tastes in architecture, but also experimented with 19th century versions of older Renaissance and Tudoresque styles; The Breakers in Rhode Island is a fine example of American Renaissance revivalism.
During the 19th century, lke the major thoroughfares of all important cites, Fifth Avenue, New York, was lined with many mansions, designed by the leading architects of the day, many in European gothic styles, built by the many families who were making their fortunes, and thus achieving their social aspirations, in the mid-19th century. However, nearly all of these have now been demolished, thus depriving New York of a boulevard to rival, in the architectural sense, any in Paris, London or Rome-where the many large mansions and palazzi built or remodelled during this era still survive. Mansions built in the countryside were not spared either. One of the most spectacular estates of the U.S., Whitemarsh Hall, was demolished in 1980, along with its extensive gardens, to make way for suburban developments.
Grand Federal Style mansions designed by Samuel McIntire inhabit an area that, in 2012, is the largest collection of 17th & 18th century structures in the United States of America. This district in Salem, Massachusetts is called the McIntire Historic District with the center being Chestnut Street.
Little is known about McIntire's personal life. He was born in Salem in 1757 and grew up in a family of housewrights. Samuel married Sally Fields in 1778, and the couple had one son. He built a simple home and workshop on Summer Street in 1786. His favorite hobby was playing and teaching music.
McIntire's training came from his father and from books. He and his brothers, Joseph and Angler, began their careers as housewrights and carpenters while in their teens but, early on, Samuel's work caught the eye of Salem's pre-eminent merchant, Elias Hasket Derby. Over the next quarter century, McIntire built or remodelled a number of homes for Derby and members of his extended family. McIntire also worked occasionally on Derby's vessels, and wasn't averse to fixing a wagon or building a birdhouse if his patron so desired. Hamilton Hall is a National Historic Landmark at 9 Chestnut Street in Salem, Massachusetts. [1] Hamilton Hall was built in 1805 by Samuel McIntire and added to the National Register of Historic Places in 1970.
"King" Derby's stamp of approval opened many other doors for McIntire, who went on to design and build mansions for John Gardner, Jerethmiel Peirce, Simon Forrester, and other wealthy Salem shipowners. He also built, on elegant Chestnut Street, a function hall (named for Alexander Hamilton) and church for the town's merchant class. McIntire also designed the former Salem Court House and Registry of Deeds.
After 1793, Samuel McIntire worked exclusively in the architectural style developed by Robert Adam in Great Britain and brought to America by the great Boston architect, Charles Bulfinch. The delicate Adamesque style, which emphasized decorative elements and ornamentation, was tailor made for McIntire whose unerring sense of design and proportion was exceeded only by his skill as a woodcarver. Carved swags, rosettes, garlands, and his signature sheaths of wheat dominate wood surfaces in McIntire homes built between 1793 and his death in 1811.
Even in Europe some 19th-century mansions were often built as replicas of older houses, the Château de Ferrières in France was inspired by Mentmore Towers which in turn is a copy of Wollaton Hall. Other mansions were built in the new and innovative styles of the new era such as the arts and crafts style: The Breakers is a pastiche of an Italian Renaissance Palazzo; Waddesdon Manor in Buckinghamshire is a faithful mixture of various French châteaux. One of the most enduring and most frequently copied styles for a mansion is the palladian - particularly so in the 18th century. However, the gothic style was probably the most popular choice of design in the 19th century. The most bizarre example of this was probably Fonthill Abbey which actually set out to imitate the mansions which had truly evolved from medieval gothic abbeys following the Dissolution of the Monasteries in the 16th century.
Mansions built during and after the 19th century seldom were supported by the large estates of their predecessors. These new mansions were often built as the week-end retreats of businessmen who commuted to their offices by the new railways, which enabled them to leave the city more easily.
In Latin America, with its feudal colonial and post-colonial past, the grand rural estate, the Hacienda, Estancia, in Portuguese speaking Brazil Fazenda or Estância, with the mansion as its stately center, is a characteristic feature.
Mansions tended to follow European architectural styles. Whereas until the second half of the 19th century Portugal and Spain as the colonial (or former colonial) powers were the eminent models for architecture and upperclass lifestyle, towards the end of the 19th century they were sometimes replaced by then more dominant powers like France or England.
In comparably developed, densely populated countries like Mexico, feudal estates and their mansions were as grand and stately as in the Mediterranean old world, whereas where estates were founded in the sparsely populated remote areas like the Pampa of Argentina or Uruguay, where iron pillars, doors, windows, furniture had to be brought from Europe by ship and afterwards oxcart, buildings were smaller, but normally still aspiring to evoke a stately impression, often featuring, like their earlier Italian counterparts, a morador.
In Venezuela, the traditional Spanish Mansion with the garden in the center of the property are usually referred as "Quinta".
Mansions built during the last and present centuries usually have specially designed rooms meant to accommodate leisure activities of a particular kind. Many will have a conservatory or greenhouse, while others will have an infinity pool or a home theatre. Some have all of these features. The relative importance of these specially designed rooms changes with the times: At the beginning of the 20th century no true mansion would have been built without a room to house a private library or office, while at the beginning of the 21st century the presence of a room designed for a home theatre or cinema is a must. Most recently, mansions have been built with integrated domotics.
A modern mansion today may not necessarily be limited to a single house standing alone, but like Nero's Domus Aurea on the Palatine Hill, Rome, compounds, or a grouping of larger houses. The Kennedy Compound is an example of one family building surrounded by large houses on a single plot.
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